Photoshop CC 2019 One-on-One- Advanced

Release date:2019, June 28

Duration:18 h 13 m

Author:Deke McClelland

Skill level:Advanced

Language:English

Exercise files:Yes

01 – Introduction E02 – Welcome to One-on-One E03 – Previously on Photoshop CC 2019 One-on-One

03 – 16. The Advanced Selection Tools E20 – Color Range, Focus Area, and more E21 – Introducing the Color Range command E22 – Customizing a Color Range selection E23 – Localized Color Clusters and Detect Faces E24 – Selecting a real-world photographic object E25 – Cleaning up with the Wand and Brush tools E26 – Refining your mask to absolute perfection E27 – Shading the airplane to match the sky E28 – Infusing the airplane with sky colors E29 – Adding a custom Motion Blur effect E30 – Adding a rocket plume E31 – Introducing the Focus Area command E32 – Using the Focus Area tool E33 – Cleaning up a jagged Focus Area mask E34 – Finessing hair and other details E35 – Using the Select – Subject command

05 – 17. Layer Masks and Edge Refinement E52 – Compositing like a pro E53 – Static selection vs. dynamic layer mask E54 – Perfecting mask edges with the Smudge tool E55 – White reveals, black conceals E56 – Real-world layer masking E57 – Combining multiple passes of Color Range E58 – Painting away gaps in a layer mask E59 – Making your mask the best it can be E60 – Feather and Density = even better hair E61 – Introducing the Select and Mask command E62 – The Global Refinements settings E63 – Edge Detection and Smart Radius E64 – Refine Edge Brush and Decontaminated Colors E65 – Turning day into night with Camera Raw E66 – Blending hair into a nighttime sky E67 – Bringing back good old Refine Mask

07 – 18. Scale, Rotate, Skew, and Warp E81 – Meet the transformations E82 – Introducing the Free Transform command E83 – Using the reference point E84 – Skewing and distorting a layer E85 – Bending and otherwise warping a layer E86 – Transform and duplicate in one operation E87 – Transform and duplicate keyboard shortcut E88 – Setting the Free Transform frame color E89 – Transforming a selection outline E90 – Repeating one or more transformations E91 – Customizing a repeated transformation E92 – Transforming and warping text E93 – Filling text with a warped gradient

09 – 19. Smart Objects E112 – Photoshop’s indestructible envelopes E113 – Three ways to create a smart object E114 – Applying nondestructive transformations E115 – Applying nondestructive distortions E116 – Masking smart objects E117 – Editing the contents of a smart object E118 – Applying editable smart adjustments E119 – Applying and blending smart filters E120 – Editing a filter mask E121 – Applying Camera Raw as a smart filter E122 – Opening a Camera Raw smart object E123 – Two ways to duplicate a smart object E124 – Protecting editable text E125 – Using nested smart objects E126 – Editing text inside a nested smart object E127 – Pasting a smart object from Illustrator E128 – Applying Photoshop effects to Illustrator art E129 – Trouble-shooting Illustrator smart objects

11 – 20. Image Reconstruction E143 – Restoring missing details E144 – “Uncropping” a photo by expanding the canvas E145 – The Content-Aware Scale command E146 – The Content-Aware Fill taskspace E147 – When to turn Color Adaptation down or off E148 – Restoring a missing photographic element E149 – Fitting an image to a custom print size E150 – Applying an image stack mode E151 – Combining a stack mode with spot healing E152 – Erasing people with the Median mode E153 – Blurring away registration problems E154 – Auto-blending multiple depths of field E155 – Auto-blending with more flexibility

13 – 21. Liquifying an Image E165 – Perfecting the human form E166 – Introducing the Liquify filter E167 – Using the Pucker and Bloat tools E168 – The Twirl, Push, and Smooth tools E169 – Using Liquify’s masking tools E170 – Face-Aware Liquify E171 – Special face-recognition scenarios E172 – Making direct edits with the Face tool E173 – Resetting any and all facial features

15 – 22. Vector Shapes E190 – Photoshop’s alternative to pixels E191 – How vector-based shape layers work E192 – Drawing a rectangle with round corners E193 – Making your path outlines easier to see E194 – Creating a dashed or dotted border E195 – Drawing and aligning custom shapes E196 – Creating your own custom shape E197 – Designing a custom shape in Illustrator E198 – Selecting, modifying, and combining shapes E199 – Duplicating and centering shapes E200 – Centering a star inside a circle E201 – Beveling your shapes with Pillow Emboss E202 – Combining shapes into a smart object E203 – Applying lighting and photorealism E204 – Converting text to a shape layer E205 – Editing the shape of a character of type

17 – 23. Blend Modes E225 – Normal and Dissolve E226 – Using the Dissolve mode E227 – Multiply and the other darken modes E228 – Using the Multiply mode E229 – Screen and the other lighten modes E230 – Using the Screen mode E231 – Using the Dodge and Burn modes E232 – Overlay and the contrast modes E233 – Using the Overlay and Soft Light modes E234 – Difference, Exclusion, Subtract, and Divide E235 – Capturing the differences between images E236 – Hue, Saturation, Color, and Luminosity E237 – Blend mode keyboard shortcuts E238 – The Brush tool blend modes E239 – The remarkable “Fill Opacity Eight” E240 – Blend If- This Layer and Underlying Layer E241 – Using This Layer and Underlying Layer E224 – Blending layers like a pro 19 – 24. Layers Effects E254 – Depth, contour, and texture E255 – Applying a Drop Shadow E256 – Working with Fill Opacity E257 – Applying an Inner Shadow E258 – Working with Global Light E259 – Creating blurry, spray paint-style type E260 – Creating your own custom Contour E261 – Introducing Bevel and Emboss E262 – Combining multiple layer effects E263 – Copying effects between layers and groups E264 – Assigning multiple strokes to a single layer E265 – Combining multiple drop shadows

21 – 25. Levels and Curves E278 – Mastering the histogram E279 – Correcting an image automatically E280 – Customizing a Levels adjustment E281 – Previewing clipped pixels E282 – Understanding the Gamma value E283 – Making channel-by-channel adjustments E284 – Cleaning up scanned line art E285 – Cleaning up complex mechanicals E286 – Quicker layer masks with Levels E287 – Introducing the Curves adjustment E288 – The Curves Targeted Adjustment tool E289 – Assigning shortcuts to adjustment layers

23 – 26. Lens Correction and Perspective Warp E297 – What to do when everything is crooked E298 – Introducing Lens Correction E299 – Distortion, aberrations, and vignette E300 – Adjusting angle and perspective E301 – Using the Perspective Warp command E302 – Fine-tuning your perspective adjustment E303 – Evening out color and lighting

25 – 27. Advanced Camera Raw E315 – Photoshop’s most powerful plug-in returns E316 – Automatic lens correction and Defringe E317 – Chromatic Aberration and Defringe E318 – Auto-correcting a JPEG image E319 – Lens correction assists straightening E320 – The Transform tool and Auto Upright E321 – Painting with the Adjustment Brush E322 – Using the Graduated Filter tool E323 – Using the Radial Filter tool E324 – Using the Range Mask option E325 – Enhance Details

27 – 28. Black and White Photography E337 – Shoot in color, convert to black and white E338 – Three ways to convert to grayscale E339 – Introducing the Channel Mixer E340 – Mixing a custom black and white image E341 – Creating an infrared-snow effect E342 – Introducing the Black and White adjustment E343 – Customizing a Black and White adjustment E344 – Tinting an image E345 – Blending black and white with color E346 – Convert to black and white in Camera Raw E347 – Split Toning in Camera Raw

29 – 29. Duotones and Colorization E355 – Infusing black-and-white with color E356 – Quick-and-dirty colorization E357 – Creating a professional-quality sepia tone E358 – The best of the best- Gradient Map E359 – Loading my free, tailor-made gradients E360 – Designing your own custom quadtone E361 – Creating psychedelic arbitrary maps

31 – 30. Sharpening Details E373 – How sharpening works E374 – Introducing Unsharp Mask E375 – Blending your sharpening effect E376 – Reining in sharpness with a filter mask E377 – Introducing Smart Sharpen E378 – Remove- Lens Blur and Reduce Noise E379 – Preventing shadow-highlight clipping E380 – Compensating for “camera shake” E381 – Further compensating with Emboss E382 – Sharpening with the High Pass filter E383 – Painting with the Sharpen tool

33 – Conclusion E385 – Until next time

Photoshop CC 2019 One-on-One- Advanced — Files.zip

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