Release date:2020
Author:Jeff Watts, Erik Gist, Lucas Graciano,
Skill level:Beginner
Language:English
Exercise files:Yes
1)This course will teach you some of the background and techniques that go into painting an illustration for card art. You will be walked through each phase of the illustration process that I use, starting with receiving the assignment all the way through the final painting. We will also talk about common ways to go about getting your first job and some of the best ways to increase your chances of getting work in the increasingly competitive job market.
2)When painting a cover for a comic book, less emphasis is put on narrative and more on creating an iconic image that jumps off the rack. In this series of lessons we will be going over the process often used in the generation and refinement of concepts. We will then continue, and spend a majority of the time, on to the materials and technique used to create the final, oil painted image.
3)The goal of this class is to familiarize you with each of the seven key folds, as well as their function and usage in the process of drawing and painting. Through diligent practice of these principals you will eventually gain a mastery of drapery that will open you up to explore your creative and artistic potential.
4)These videos are a collection of useful tips and approaches for both design and the necessary tasks of perspective and shadowing for all ‘Tech’ genres. The solutions range from the rather involved, but carefully explained… to the very simple. Unlike previous courses, the workbook will actually expand upon what you see in the video with clear, defined steps and diagrams plus much new material and additional concepts along the way.
5)This course will cover the fundamental aspects of Character design for work in Conceptual Design. Here you will learn various methods for maximizing a high creative potential. There is introduction and demonstration of mediums commonly used in the industry. The course covers fundamental aspects of design and how to add personality to your characters. You will also be walked from sketch to completion through a common way industry professionals achieve their results.
6)One of the greatest gifts of sight is our ability to distinguish colors. The human eye can distinguish around 10,000,000 colors. This may be why the Impressionist movement had and continues to have a large following. The transition from black and white training can feel daunting. There are so many choices, so many variations of paint colors and formulas. Do we use viridian green or pthalo green? Opaque or transparent? What about limited or extensive palettes? How do we learn to observe color?
7)Join Robert Watts, Jeff’s father, as he walks you through a variety of illustrative scenarios and visual problem-solving solutions, using one of his favorite mediums, Gouache. Robert will lend insight from his 40 plus years as a commercial illustrator and fine artist, and use his eclectic and masterful skill sets to demonstrate how to put all the fundamental lessons learned thus far to use, in order to create a dynamic, original image. As this class will cover the importance of value and and the immediate, visual read of an image, it is equally helpful to the illustrator, conceptual artist and fine artist. This class is easily adapted to digital media as well, making it a perfect course for the visual development student. You’ll be sure to enjoy not just the information in this course, but also Robert’s down to earth demeanor and whimsical sense of humor, as they help his lessons become more relatable and add a bit of lightheartedness to a very intense, information-packed subject.
8)The goal of this class is to simplify the elements and procedures that produce excellent compositions…from motifs, overlap, linking and the monster power of shadows to the concept of contrasts and that mysterious thing called mood.
9)This Course will cover the fundamentals of drawing features and facial expressions. Construction of each feature will be the focus of the first portion of the course. Facial anatomy will then be taught as a transition into drawing facial expressions. Students will then move on to cover the seven main facial expressions
10)In this course, Robert Watts will show you how to execute a studio landscape painting with a focus on structures.. Watch as Robert explains the differences between plein air painting and studio landscapes, and learn the importance of color studies and how to properly utilize reference in the studio. Follow along as Robert demonstrates these disciplines and ultimately works up to a finished studio landscape piece.
11)This course will teach you some of the background and techniques that go into painting dragons for illustration. You will be walked through a process of designing a dragon with personality and weight in order to achieve a highly inspirational and believable design. You will learn to mannequin a dragon so you are able to visualize and draw a dragon from many angles. Lastly the course will take you through a process of staging a dragon for an illustration.
Anatomy Intensives – Arms and Legs 01. Legs – Skeletal View 02. Legs – Anterior Muscles 03. Legs – Posterior Muscles 04. Legs – Final Rendering Anterior View 05. Legs – Final Rendering Posterior View 06. Legs – Final Rendering Lateral View 07. Legs – Final Rendering Medial View 08. Arms – Palmer View 09. Arms – Posterior View 10. Arms – Palmer View Final Rendering 11. Arms – Posterior View Final Rendering 12. Arms – Lateral View Final Rendering 13. Arms – Medial View Final Rendering Anatomy Arms & Legs.7z
Composition and Staging 01. Composition and Staging 02. Overview 03. Motifs 04. Contrasts 05. Center of Interest 06. Linking Objects 07. Overlap 08. Shadows 09. Mood Part I 10. Mood Part II 11. Adding Interest – Part I 12. Adding Interest – Part II 13. Putting the Drawing Together – Part I 14. Putting the Drawing Together – Part II 15. Closing Thoughts materials.7z
Dragon Design 01. Dragon Design 02. A History of Dragons 03. Dragons in Illustration Part I 04. Dragons in Illustration Part II 05. Dragons in Illustration Part III 06. Sketching Dragons 07. Mannequinizing the Dragon 08. Detailing a Dragon Part I 09. Detailing a Dragon Part II 10. Staging Dragons 11. Final Painting Part I 12. Final Painting Part II 13. Final Painting Part III 14. Final Painting Part IV 15. Final Painting Part V 16. Final Painting Part VI 17. Final Painting Part VII 18. Final Painting Part VIII 19. Closing Thoughts Dragon Design.7z
Drapery 01. Drapery 02. Diaper Fold 03. Zig Zag Fold 04. Pipe Fold 05. Inert Fold 06. Spiral Fold 07. Half-lock Fold 08. Drop Fold 09. Anatomy of the Fold 10. Folds in Action – Male – Part I 11. Folds in Action – Male – Part II 12. Folds in Action – Male – Part III 13. Folds in Action – Male – Part IV 14. Folds in Action – Male – Part V 15. Folds in Action – Male – Part VI 16. Folds in Action – Female – Part I 17. Folds in Action – Female – Part II 18. Folds in Action – Female – Part III 19. Folds in Action – Female – Part IV 20. Closing Thoughts – Final Assignment Drapery.7z
Essentials of Tech 01. Essentials of Tech 02. Preliminary Sketching 03. Add and Subtract Approach 04. The Armored Figure 05. Aviation 06. Rendering Bare Metal 07. Basics of Two-Point Perspective 08. Drawing the Basic Automobile 09. One-Point Magic 10. Finished Painting Mech Warrior – Part 1 11. Finished Painting Mech Warrior – Part 2 12. Finished Painting Mech Warrior – Part 3 13. Metroscape 14. Painting the Nebula and Starfield 15. Shadows and Lighting 16. The Starship 17. Closing Thoughts note.7z
Features and Facial Expressions 01. Features and Facial Expressions Eyes 02. Features and Facial Expressions Nose 03. Features and Facial Expressions The Mouth 04. Features and Facial Expressions The Ear 05. Features and Facial Expressions Happiness 06. Features and Facial Expressions Surprise 07. Features and Facial Expressions Fear 08. Features and Facial Expressions Saddness 09. Features and Facial Expressions Anger 10. Features and Facial Expressions Disgust 11. Features and Facial Expressions Contempt Features and Facial Expressions.7z
Fundamentals of Character Design 01. Fundamentals of Character Design 02. Materials 03. Research and Inspiration 04. Shape – Part I 05. Shape – Part II 06. Breathing Life in Characters – Part 1 07. Breathing Life in Characters – Part 2 08. Detail In Design 09. Designing an Alien Character Unique Shape 10. Designing an Alien Character Unique Shape Digital 11. Designing an Alien Character Detail 12. Designing an Alien Character Detail in Digital 13. Designing an Alien Character Digital Coloring – Part 1 14. Designing an Alien Character Digital Coloring – Part 2 15. Designing Alien Character Final Drawing 16. Designing an Alien Character Exploring the Final Design – Part 1 17. Designing an Alien Character Exploring the Final Design – Part 2 18. Designing an Alien Character Exploring the Final Design – Part 3 19. Designing an Alien Character Setting Up a Portfolio Fundamentals of Character Design.7z
Illustrating a Fantasy Scene 01. Illustration Assignment and Thumbnails 02. Card Illustration Rough Sketch 03. Card Illustration Final Sketch 04. Card Illustration Color Comps 05. Card Illustration Final Painting Part 1 06. Card Illustration Final Painting Part 2 07. Card Illustration Final Painting Part 3 08. Card Illustration Final Painting Part 4 09. Card Illustration Final Painting Part 5 10. Card Illustration Final Painting Part 6 11. Card Illustration Final Painting Part 7 12. Card Illustration Final Painting Part 8 Illustrating a Fantasy Scene.7z
Illustration – Painted Comic Cover 01. Illustration – Painted Comic Cover 02. Thumbnails 03. Color Compositions 04. Tonal Compositions 05. Underpainting Part I 06. Underpainting Part II 07. Underpainting Part III 08. Final Painting – Part I 09. Final Painting – Part II 10. Final Painting – Part III 11. Final Painting – Part IV 12. Final Painting – Part V 13. Final Painting – Part VI 14. Final Painting – Part VII 15. Final Painting – Part VIII 16. Final Painting – Part IX 17. Final Painting – Part X 18. Closing Thoughts materials.7z
Observational Color 01. Observational Color Blue and Orange 02. Observational Color Red and Green 03. Observational Color Yellow and Purple 04. Observational Color Warm Light Scenario 05. Observational Color Cool Light Scenario 06. Observational Color Temperature Comparison 07. Observational Color Zorn Palette Part 1 08. Observational Color Zorn Palette Part 2 09. Observational Color Zorn Palette Part 3 10. Observational Color Zorn Palette Part 4 11. Observational Color Monochromatic Color Scheme Part 1 12. Observational Color Monochromatic Color Scheme Part 2 Color-Theory-exercises.7z
Painting Mood & Atmosphere in Gouache 01. Painting Mood & Atmosphere in Gouache 02. General Techniques 03. Cumulous Cloudscape – Part I 04. Cumulous Cloudscape – Part II 05. Weathered Barn 06. Indication 07. Foggy Churchyard 08. Gunslinger 09. Tomb Raider – Part I 10. Tomb Raider – Part II 11. Ship on the High Seas – Part I 12. Ship on the High Seas – Part II 13. Meteor Strike 14. Closing Thoughts materials.7z
Perspective Essentials 01. Introduction 02. Setting the Scene 03. Object Placement 04. Circles and Ellipses Part 1 05. Circles and Ellipses Part 2 06. Right Angles and Ellipses 07. Incline and Decline Planes 08. Depth Measuring 09. Shadow Projection 10. Planned Projection Perspective Essentials Introduction.7z
Studio Landscapes – Structures 01. Photo Reference Review 02. Developing Simple Picture Zones 03. Plein Air Vs Studio Painting 04. Structure Color Study Part 1 05. Structure Color Study Part 2 06. Color Study Painting II part 1 07. Color Study Painting II part 2 08. Color Study Painting III part 1 09. Color Study Painting III part 2 10. Color Study Painting III part 3 11. Finished Studio Landscape part 1 12. Finished Studio Landscape Part 2 13. Finished Studio Landscape Part 3 14. Finished Studio Landscape Part 4 15. Finished Studio Landscape Part 5 Studio Landscapes with Structures.7z
Studio Still Life 01. Studio Still Life 02. Getting Started 03. Picking the First Battle 04. Partial Finish of First Forms 05. First Roses 06. Working Through the Roses 07. A Busy Vase 08. Right side rose and green vase 09. Green Vase and Eucalyptus Leaves 10. Bird Nest and Seeds 11. Right Side Background Painted In 12. Left Side Pattern of Fabric 13. Carnations 14. Foreground 15. Jumping Around 16. Final Finish 17. Closing Thoughts materials.7z
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