Release date:2009, February 20
Author:Alvin Lee
Skill level:Beginner
Language:English
Exercise files:Yes
In this lesson I will begin by running through all the necessary tools you will need for this course. From the proper drafting pencil to use, using a french curve, down to basic photoshop skills to scan and remove non-photo blue from the penciled page. All of the different tools you will need as a professional will be covered during this lesson. After you have been familiarized with the tools I will move forward to analyzing a script with you where you will be thumb-nailing layouts of a page, providing me with several different variations of trial and error until you have the strongest layout and why. Strong storytelling will be the foundation of this assignment.
You will be introduced to the hero and his unique features. I will cover the basic anatomy of a Hero and from there you will be completing a turnaround of the Hero that I provide for you mimicking my own personal style. This will be a test of consistency and accuracy, you will learn the fundamentals of having to draw the same character repeatedly in different angles. I will teach you how to do render a proper turnaround with the usage of guidelines which will be repeated on the hero’s face.
I will introduce you to drawing the heroine and the delicacy of a woman’s figure. More importantly which lines to keep, which to take away. You will be repeating the same process and completing a turnaround of a full figure drawing I provide for you. Again you will be replicating my style but doing so in different angles to test your ability to create consistently out of your own comfort zone. I will also be covering the alluring features of a woman’s face.
After you have been accustomed to penciling the fundamentals of a comic book character we will then move on to explore the excitement of exaggeration. During this lesson I will show you interesting ways to encourage your creativity with human anatomy, especially for comicbooks. I will be providing you with a drawing of a disproportionate figure and you will be analyzing that in the form of a turnaround. After that is completed we will move on to dynamic foreshortening. I will be showing you different techniques to really make something look like it is coming towards the viewer. We will be completing a study on both arms and legs and how to foreshorten them properly.
The complete penciler must know how to draw not only realistic hands but also powerful ones. In this lesson I will be showing you tricks I have learned during my career to help you understand hands, how they work and how to exaggerate them to create a desired emotional effect. During this lesson you will also be doing a study on the expressions of your own hands and using them as your own lifedrawing tool. Those principles will be applied to a set of exaggerated comic book hands, to test your understanding and consistency.
This lesson will cover everything from the basics of light and shadow to the intricacies of detailing a page using different comicbook styles. The different techniques covered will include using hard shadows to define a character, crosshatching to create shades of dark to light, minimalistic lineart and texturing for different surface materials. Those individual comic styles will be put to the test on basic shapes to demonstrate each’s properties which will then be applied to the human figure.
During this class you will learn the techniques of using a lightbox when enlarging a thumbnail. I will show you how to complete an accurate perspective grid so that you characters coincide with the backgrounds properly to avoid mishaps. I will be covering the importance of using the copy, trim and bleed lines on a comicboard and lastly I will have you enlarge your own layout previously provided to me in Lesson 1 and prepare the page for the penciling phase.
In this lesson you will be introduced to the establishing panel. The one panel that will showcase your versatility in drawing environments that surround your characters. I will be showing you different techniques in using perspective grids and also the application of textures for different surfaces. I will be providing you with a floorplan of an environment in which I will be helping you create the elevation. I will also be showing you tricks of the trade in making backgrounds easier for you, especially when you are limited in time. Also I will be covering a brief segment on the usage of speedlines.
Everything we have covered during the previous 8 lessons will be culminated into this final lesson! Just to give you an idea, you will be applying the light and shadow techniques in lesson 6 on the layout you provided in Lesson 1 on the page you enlarged in lesson 7. The Hero and the Heroine from lessons 2 and 3 will be drawn on the final page using one of the unique comic penciling styles and the end result will be a completed penciled page, packed with everything a powerful comicbook portfolio should include!
Lesson 1: Introduction to Tools and Script Analysis
Lesson 2: The Hero
Lesson 3: The Heroine
Lesson 4: Exaggerated Proportions and Foreshortening
Lesson 5: Dynamic Hands
Lesson 6: Detailing and Textures
Lesson 7: Lightboxing and Perspective Guidelines
Lesson 8: Backgrounds
Lesson 9: PencilingLesson 1 – The Hero Lesson 1 – The Hero Part 01 Lesson 1 – The Hero Part 02 Lesson 1 – The Hero Part 03 Lesson 1 – The Hero Part 04 Lesson 1 – The Hero Part 05 Lesson 1 – The Hero Part 06 Lesson 1 – The Hero Part 07 Lesson 1 – The Hero Part 08 Lesson 1 – The Hero Part 09 Lesson 1 – The Hero Part 10 Lesson 1 – The Hero Part 11 Lesson 1 – The Hero Part 12 Lesson 1 – The Hero Part 13 Lesson 1 – The Hero Part 14 Lesson 1 – The Hero Part 15 Lesson 1 – The Hero Part 16 Lesson 1 – The Hero Part 17 Lesson 1 – The Hero Part 18 Lesson 1 – The Hero Part 19 Lesson 1 – The Hero Part 20 Lesson 1 – The Hero Part 21 Lesson 1 – The Hero Part 22 Lesson 1 – The Hero Part 23 Lesson 1 – The Hero Part 24 Lesson 1 – The Hero Part 25 Lesson 1 – The Hero Part 26 Lesson 1 – The Hero Part 27 Lesson 1 – The Hero Part 28 Lesson 1 – The Hero Part 29 Lesson 1 – The Hero Part 30 Lesson 1 – The Hero Part 31 Lesson 1 – The Hero Part 32 Lesson 1 – The Hero Part 33
Lesson 2 – The Heroine Lesson 2 – The Heroine Part 01 Lesson 2 – The Heroine Part 02 Lesson 2 – The Heroine Part 03 Lesson 2 – The Heroine Part 04 Lesson 2 – The Heroine Part 05 Lesson 2 – The Heroine Part 06 Lesson 2 – The Heroine Part 07 Lesson 2 – The Heroine Part 08 Lesson 2 – The Heroine Part 09 Lesson 2 – The Heroine Part 10 Lesson 2 – The Heroine Part 11 Lesson 2 – The Heroine Part 12 Lesson 2 – The Heroine Part 13 Lesson 2 – The Heroine Part 14 Lesson 2 – The Heroine Part 15 Lesson 2 – The Heroine Part 16 Lesson 2 – The Heroine Part 17 Lesson 2 – The Heroine Part 18 Lesson 2 – The Heroine Part 19 Lesson 2 – The Heroine Part 20 Lesson 2 – The Heroine Part 21 Lesson 2 – The Heroine Part 22 Lesson 2 – The Heroine Part 23 Lesson 2 – The Heroine Part 24 Lesson 2 – The Heroine Part 25 Lesson 2 – The Heroine Part 26 Lesson 2 – The Heroine Part 27
Lesson 3 – Exaggerated Proportions and Foreshortening Lesson 3 – Exaggerated Proportions and Foreshortening Part 01 Lesson 3 – Exaggerated Proportions and Foreshortening Part 02 Lesson 3 – Exaggerated Proportions and Foreshortening Part 03 Lesson 3 – Exaggerated Proportions and Foreshortening Part 04 Lesson 3 – Exaggerated Proportions and Foreshortening Part 05 Lesson 3 – Exaggerated Proportions and Foreshortening Part 06 Lesson 3 – Exaggerated Proportions and Foreshortening Part 07 Lesson 3 – Exaggerated Proportions and Foreshortening Part 08 Lesson 3 – Exaggerated Proportions and Foreshortening Part 09 Lesson 3 – Exaggerated Proportions and Foreshortening Part 10 Lesson 3 – Exaggerated Proportions and Foreshortening Part 11 Lesson 3 – Exaggerated Proportions and Foreshortening Part 12 Lesson 3 – Exaggerated Proportions and Foreshortening Part 13 Lesson 3 – Exaggerated Proportions and Foreshortening Part 14 Lesson 3 – Exaggerated Proportions and Foreshortening Part 15 Lesson 3 – Exaggerated Proportions and Foreshortening Part 16 Lesson 3 – Exaggerated Proportions and Foreshortening Part 17 Lesson 3 – Exaggerated Proportions and Foreshortening Part 18 Lesson 3 – Exaggerated Proportions and Foreshortening Part 19
Lesson 4 – Dynamic Hands Lesson 4 – Dynamic Hands Part 01 Lesson 4 – Dynamic Hands Part 02 Lesson 4 – Dynamic Hands Part 03 Lesson 4 – Dynamic Hands Part 04 Lesson 4 – Dynamic Hands Part 05 Lesson 4 – Dynamic Hands Part 06 Lesson 4 – Dynamic Hands Part 07 Lesson 4 – Dynamic Hands Part 08 Lesson 4 – Dynamic Hands Part 09 Lesson 4 – Dynamic Hands Part 10 Lesson 4 – Dynamic Hands Part 11 Lesson 4 – Dynamic Hands Part 12 Lesson 4 – Dynamic Hands Part 13 Lesson 4 – Dynamic Hands Part 14 Lesson 4 – Dynamic Hands Part 15 Lesson 4 – Dynamic Hands Part 16 Lesson 4 – Dynamic Hands Part 17 Lesson 4 – Dynamic Hands Part 18 Lesson 4 – Dynamic Hands Part 19 Lesson 4 – Dynamic Hands Part 20 Lesson 4 – Dynamic Hands Part 21 Lesson 4 – Dynamic Hands Part 22 Lesson 4 – Dynamic Hands Part 23
Lesson 5 – Adding Volume and Texture Lesson 5 – Adding Volume and Texture Part 01 Lesson 5 – Adding Volume and Texture Part 02 Lesson 5 – Adding Volume and Texture Part 03 Lesson 5 – Adding Volume and Texture Part 04 Lesson 5 – Adding Volume and Texture Part 05 Lesson 5 – Adding Volume and Texture Part 06 Lesson 5 – Adding Volume and Texture Part 07 Lesson 5 – Adding Volume and Texture Part 08 Lesson 5 – Adding Volume and Texture Part 09 Lesson 5 – Adding Volume and Texture Part 10 Lesson 5 – Adding Volume and Texture Part 11 Lesson 5 – Adding Volume and Texture Part 12 Lesson 5 – Adding Volume and Texture Part 13 Lesson 5 – Adding Volume and Texture Part 14 Lesson 5 – Adding Volume and Texture Part 15 Lesson 5 – Adding Volume and Texture Part 16 Lesson 5 – Adding Volume and Texture Part 17 Lesson 5 – Adding Volume and Texture Part 18 Lesson 5 – Adding Volume and Texture Part 19 Lesson 5 – Adding Volume and Texture Part 20 Lesson 5 – Adding Volume and Texture Part 21 Lesson 5 – Adding Volume and Texture Part 22
Lesson 6 – Script Analysis, Storytelling and Layout Lesson 6 – Script Analysis, Storytelling and Layout Part 01 Lesson 6 – Script Analysis, Storytelling and Layout Part 02 Lesson 6 – Script Analysis, Storytelling and Layout Part 03 Lesson 6 – Script Analysis, Storytelling and Layout Part 04 Lesson 6 – Script Analysis, Storytelling and Layout Part 05 Lesson 6 – Script Analysis, Storytelling and Layout Part 06 Lesson 6 – Script Analysis, Storytelling and Layout Part 07 Lesson 6 – Script Analysis, Storytelling and Layout Part 08 Lesson 6 – Script Analysis, Storytelling and Layout Part 09 Lesson 6 – Script Analysis, Storytelling and Layout Part 10 Lesson 6 – Script Analysis, Storytelling and Layout Part 11 Lesson 6 – Script Analysis, Storytelling and Layout Part 12 Lesson 6 – Script Analysis, Storytelling and Layout Part 13 Lesson 6 – Script Analysis, Storytelling and Layout Part 14 Lesson 6 – Script Analysis, Storytelling and Layout Part 15 Lesson 6 – Script Analysis, Storytelling and Layout Part 16 Lesson 6 – Script Analysis, Storytelling and Layout Part 17 Lesson 6 – Script Analysis, Storytelling and Layout Part 18 Lesson 6 – Script Analysis, Storytelling and Layout Part 19 Lesson 6 – Script Analysis, Storytelling and Layout Part 20 Lesson 6 – Script Analysis, Storytelling and Layout Part 21 Lesson 6 – Script Analysis, Storytelling and Layout Part 22 Lesson 6 – Script Analysis, Storytelling and Layout Part 23 Lesson 6 – Script Analysis, Storytelling and Layout Part 24 Lesson 6 – Script Analysis, Storytelling and Layout Part 25 Lesson 6 – Script Analysis, Storytelling and Layout Part 26 Lesson 6 – Script Analysis, Storytelling and Layout Part 27 Lesson 6 – Script Analysis, Storytelling and Layout Part 28 Lesson 6 – Script Analysis, Storytelling and Layout Part 29 Lesson 6 – Script Analysis, Storytelling and Layout Part 30 Lesson 6 – Script Analysis, Storytelling and Layout Part 31 Lesson 6 – Script Analysis, Storytelling and Layout Part 32 Lesson 6 – Script Analysis, Storytelling and Layout Part 33 Lesson 6 – Script Analysis, Storytelling and Layout Part 34 Lesson 6 – Script Analysis, Storytelling and Layout Part 35 Lesson 6 – Script Analysis, Storytelling and Layout Part 36 Lesson 6 – Script Analysis, Storytelling and Layout Part 37 Lesson 6 – Script Analysis, Storytelling and Layout Part 38 Lesson 6 – Script Analysis, Storytelling and Layout Part 39 Lesson 6 – Script Analysis, Storytelling and Layout Part 40
Lesson 7 – Lightboxing, Perspective Guidelines & Finishes Lesson 7 – Lightboxing, Perspective Guidelines & Finishes Part 01 Lesson 7 – Lightboxing, Perspective Guidelines & Finishes Part 02 Lesson 7 – Lightboxing, Perspective Guidelines & Finishes Part 03 Lesson 7 – Lightboxing, Perspective Guidelines & Finishes Part 04 Lesson 7 – Lightboxing, Perspective Guidelines & Finishes Part 05 Lesson 7 – Lightboxing, Perspective Guidelines & Finishes Part 06 Lesson 7 – Lightboxing, Perspective Guidelines & Finishes Part 07 Lesson 7 – Lightboxing, Perspective Guidelines & Finishes Part 08 Lesson 7 – Lightboxing, Perspective Guidelines & Finishes Part 09 Lesson 7 – Lightboxing, Perspective Guidelines & Finishes Part 10 Lesson 7 – Lightboxing, Perspective Guidelines & Finishes Part 11 Lesson 7 – Lightboxing, Perspective Guidelines & Finishes Part 12 Lesson 7 – Lightboxing, Perspective Guidelines & Finishes Part 13 Lesson 7 – Lightboxing, Perspective Guidelines & Finishes Part 14 Lesson 7 – Lightboxing, Perspective Guidelines & Finishes Part 15 Lesson 7 – Lightboxing, Perspective Guidelines & Finishes Part 16 Lesson 7 – Lightboxing, Perspective Guidelines & Finishes Part 17 Lesson 7 – Lightboxing, Perspective Guidelines & Finishes Part 18 Lesson 7 – Lightboxing, Perspective Guidelines & Finishes Part 19 Lesson 7 – Lightboxing, Perspective Guidelines & Finishes Part 20 Lesson 7 – Lightboxing, Perspective Guidelines & Finishes Part 21 Lesson 7 – Lightboxing, Perspective Guidelines & Finishes Part 22 Lesson 7 – Lightboxing, Perspective Guidelines & Finishes Part 23
Lesson 8 – Backgrounds Lesson 8 – Backgrounds Part 01 Lesson 8 – Backgrounds Part 02 Lesson 8 – Backgrounds Part 03 Lesson 8 – Backgrounds Part 04 Lesson 8 – Backgrounds Part 05 Lesson 8 – Backgrounds Part 06 Lesson 8 – Backgrounds Part 07 Lesson 8 – Backgrounds Part 08 Lesson 8 – Backgrounds Part 09 Lesson 8 – Backgrounds Part 10 Lesson 8 – Backgrounds Part 11 Lesson 8 – Backgrounds Part 12 Lesson 8 – Backgrounds Part 13 Lesson 8 – Backgrounds Part 14 Lesson 8 – Backgrounds Part 15 Lesson 8 – Backgrounds Part 16 Lesson 8 – Backgrounds Part 17 Lesson 8 – Backgrounds Part 18
Lesson 9 – Penciling Lesson 9 – Penciling Part 01 Lesson 9 – Penciling Part 02 Lesson 9 – Penciling Part 03 Lesson 9 – Penciling Part 04 Lesson 9 – Penciling Part 05 Lesson 9 – Penciling Part 06 Lesson 9 – Penciling Part 07 Lesson 9 – Penciling Part 08 Lesson 9 – Penciling Part 09 Lesson 9 – Penciling Part 10 Lesson 9 – Penciling Part 11 Lesson 9 – Penciling Part 12 Lesson 9 – Penciling Part 13 Lesson 9 – Penciling Part 14 Lesson 9 – Penciling Part 15 Lesson 9 – Penciling Part 16 Lesson 9 – Penciling Part 17
assignments.zip lessonPlan.zip
Channel and Group
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