Mixing Light Color Tutorials Collection

Release date:2021

Author:Mixing Light

Skill level:Beginner

Language:English

Exercise files:Yes

Adding Grain Efficiently Using The Overlay Blending Mode Adding Some Clarity- 3 Different Methods Advanced Beauty Grading – Stills Techniques Advanced Beauty Grading Part One Advanced Windows – Difficult Shape Masking Bad TV- Essential Steps For Creating The Bad TV Look Behind The Curtain – Bread Short Film Part One Behind the Curtain – Commercial #1- From Base Grade to Final Look Behind the Curtain – Commercial #2- From Base Grade to Final Look Behind The Curtain – Liberty Commercials Sun vs No Sun Behind The Curtain – Live Concert Grade Behind The Curtain – Refining and Enhancing _Bread_ Behind The Curtain – Shot Matching _Bread_ Behind The Curtain – Thrice The Grey Best Exposure From Your Raw Files Building A Show LUT to Keep Your Looks Consistent Color Correcting Using New Software – Have Confidence In Yourself Color Warper 101 – Concepts and Interface Fundamentals Color Warper 101 Part 2- Managing Points _ Pins + Chroma-Luma Panel Color Warper 101 Part 3- Creating Looks (Plus A Grading Challenge) Combining Shared Nodes and Group Grades – Applying CSTs, Looks and, LUTs Conforming In DaVinci Resolve – Solving Sync _ Frame Rate Problems Controlling Saturation in DaVinci Resolve Creating a _Film Look_ and Managing Film Grain Creating An S-Curve Using The Contrast _ Pivot Controls Creating Skin Contrast With High_Low Key Techniques Creating the Classic Black and White Look By Thinking Like A Colorist Creating Your Own Fusion Effects Plug-ins with DaVinci Resolve 17 Creative Grading – Retro Sci-fi Look Custom ACES Part 4- Updating For Resolve 17 DaVinci Resolve Compound Nodes- Efficiently Managing Looks Developing Looks And Settling On Your Exposure Levels Dirty Color Grading Looks – Taking Your Image To The Limit Dirty Looks – Emulating Early Film Looks with Light Leaks Dirty Looks – Looks Throughout The Ages Dirty Looks- Early _00s Looks Exploring XML Conform Options in DaVinci Resolve Exporting LAB LUTs from Photoshop- Does it work- Feature Inspired Color Grading Looks – Blade Runner 2049 Finishing In Resolve – Reframing, Blanking _ Delivering Frequency Seperation – An Introduction From Client Hard Drive to XML Export- Prepping a Timeline From The Grading Room Grading Underwater Footage From The Grading Room- Turning A Session Around Getting Up To Speed On Resolve 17’s New Proxy Workflow Grade Breakdown – Challenge Your Imagination Grade Rescue – Saving A DSLR Moving Portrait Grading A Short Film Part 2 – Testing The Feel Of The Footage Grading The White Cyc Stand Up – When White Is Not White HDR Palette – Using Multiple Zones, Contrast, Presets, Global Control HDR Palette 101 – Resolve Color Management 2.0 + Contrast Controls How A Colorist Makes Decisions Through The Grading Process How Do You Use Resolve_s Parallel and Layer Mixer Nodes- How Do Zones Work in Resolve 17_s New HDR Palette- How To (Improperly) Export LUTs in DaVinci Resolve 15 How To Combine Group Grades With Shared Nodes While Avoiding The Pitfalls How to create a light, airy feel by dropping the midtones How to Handle Scaling in XML Workflows for Premiere Pro CC How to Protect Skin Tones While Color Grading with a Heavy Look How To White Balance Shots Using Common Color Correction Tools How to Work with Color Charts in DaVinci Resolve 14 In Action- Working With The Key Mixer In DaVinci Resolve Infrared Look – Emulating Aerochrome Inside the Color Grade Of A Furniture Brand – Series Overview Inspiration – Color Grading Methods In A Fashion Commercial Inspired By Lacoste, Timeless – Learning From An Award Winning Grade Is Your ARRI Alexa Mini Color Pipeline Properly Set in ACES- LAB Color in DaVinci Resolve – Foundations Part 2 LAB Color in DaVinci Resolve- Is it effective- LAB Colorspace- An Introduction (using DaVinci Resolve 11) Look Inspiration – Adding To The Narrative In A Flashback Look Inspiration – B_W Looks Look Inspiration – Colorized Film Look Look Inspiration – Metallic Monochrome Look Inspiration – Warm Commercial Look Matching Pantone References – And When To Say No Neo Noir B_W – Using Hardlight Blending Mode Node Tree Compositing- Building A Green Screen Shot In One Node Tree Nodes 101 – Mastering DaVinci Resolve’s Serial Node Photochemical Grading – Part Two Practical Beauty Color Grading Level One- Quick and Effective Rebooting Your Eyes – How To Step Back From Your Grade Rediscover The Basics – Advanced Node Operations Rediscover The Basics – Color Temperature Rediscover The Basics – Contrast Rediscover The Basics – Defining Texture In Your Image Rediscover The Basics – Fixing Exposure Shifts Rediscover The Basics – Saturation Resolve 17 Big Little Features- Part 2 – The Edit Page Resolve 17- Big Little Features Part 1 – The Color Page Resolve Color Management Tips and Pat_s Fixed Node Tree Saving The Day With Input Sizing in DaVinci Resolve Shot Matching – Working With Skin Tone Should You Go For That Film Look Or Embrace The Digital Clean Look- Skin Tone Essentials- Hands, Arms, Legs and Feet Part One Sky Replacement – Is It An Essential Skill For Colorists- Tales From The Grading Suite – Lighting The Looks The 10-Minute Grade- Shot Balancing (updated) Thinking Like A Colorist – Color Correcting A Forest Scene Thinking Like A Colorist – Considering Final Contrast Pt 1 Thinking Like A Colorist – The _Final Grade_ Thinking Like A Colorist- Breaking Down the Western Scene Two Ways of Using DaVinci Resolve_s Parallel Mixer Node Understanding the Premiere to DaVinci Resolve Image Sizing Handoff Using DaVinci Resolve_s _Offline Reference Clip_ to Conform Timelines Using Log Controls As A Secondary Correction Using Playheads – Working Faster In DaVinci Resolve_s Color Page Using Post-Clip Grouping As A Timeline Grading Alternative Warm Looks- Yellow Warmth Vs Red Warmth (which are you-) White Balancing Shots and Solving Common Problems Why We Love LUTs and How To Replace Your LUT Addiction Why You Need to Master the _Frame Size_ Option in Premiere Pro CC Working With Reference Images Part 2- Evaluating Camera Source Footage Working With Reference Images Part3- Building The Look

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