Release date:2021, October
Author:Patrick Inhofer
Skill level:Beginner
Language:English
Exercise files:Yes
DaVinci Resolve is a leading professional color grading solution used for digital intermediates (the digital color grading of film-acquired sources, to be printed back out to film for theatrical exhibition). It’s not surprising that its color management tools are used every day in major film productions all over the world. In this course, professional colorist Patrick Inhofer takes an extensive look at the color page in DaVinci Resolve, starting with the settings and preferences that have a significant impact on color manipulations. He then covers the concept of primary corrections and the tools used for establishing a base color correction, as well as secondary corrections and how to isolate and minimize problematic areas of the image. Patrick also shows how to combine primary and secondary color operations to enhance viewer engagement, and shares tips for improving your shot-matching skills to help your story have a better visual flow.
This course was created by Patrick Inhofer. We are pleased to host this training in our library
0. Introduction 01. Course overview and prior experience 02. Using the exercise files 03. An overview of the color grading process 04. Related series for important Color page topics
1. Introduction to Using the Color Page 01. The Color page layout 02. Evaluating the footage and master settings 03. Preparing the project and user preferences 04. Manipulating the viewer 05. The Color page timeline and thumbnails 06. Thumbnail timeline filtering 07. DaVinci Resolve YRGB image processing 08. DaVinci Resolve YRGB color management (R17+) 09. Masking to a specific aspect ratio
2. Primary Color Correction- Fundamentals 01. Primary corrections vs. secondary corrections 02. Primaries bars adjustments- Lift gamma gain 03. Primaries bars adjustments- Offset 04. Making global color adjustments in the Primaries palette 05. Making global contrast adjustments in the Primaries palette 06. Global adjustments in the HDR palette 07. Temperature and tint adjustments in the HDR palette 08. Contrast pivot exposure and saturation in the HDR palette 09. Using custom curves for primary corrections 10. Using the RGB Mixer to solve global problems 11. Using the stabilizer on the Color page 12. Blur palette 101 13. Midtone detail 14. Camera RAW 101- Project settings 15. Camera RAW 101- The Camera RAW palette
3. Using the Node Editor 01. A node is a thought 02. Nodes 102- Organizing your workflow using a structured node tree 03. The Layer Mixer node and serial nodes 04. The Parallel Mixer node and serial nodes 05. Adding keyframes to individual nodes in the Color page 06. Dialing down a serial node using the Key Mixer 07. Structured node trees
4. Secondary Color Correction- Fundamentals 01. What tools are associated with secondary corrections 02. Using the Primaries palette for targeted adjustments 03. Using custom curves for targeted corrections 04. Fixing common saturation problems using curves 05. Selecting colors using the Qualifier palette 06. Refining your selection range in the Qualifier palette 07. An introduction to the 3D qualifier 08. Power Windows 102 09. Tracker 102- Frame mode
Conclusion 01. Final thoughts on structured node trees 02. Order of operations using primary and secondary corrections 03. Additional resources
[LinkedIn] DaVinci Resolve Color Page.7z.001 [LinkedIn] DaVinci Resolve Color Page.7z.002 [LinkedIn] DaVinci Resolve Color Page_Subtitles.7z
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